GOLDEN Artist Acrylics are known for their exceptionally smooth, thick buttery consistency. It contains the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.
Each Heavy Body color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different.Multiple Sizes Available — Golden Heavy Body Artist Acrylics are also available in 5 oz.
Note — Use this color chart as an approximation of the real color. If exact color matching is necessary, use actual samples of the materials.
GOLDEN Interference Acrylic colors offer a unique "interference flip." When viewed from difference perspectives, Interference colors flip between a bright opalescent color and its complement. When applied over white or lighter surfaces, the Interference color is less obvious and the "flip" effect is more obvious. When applied over black or darker surfaces, the Interference color is more obvious and the "flip" effect is less obvious. Most GOLDEN Interference colors are available in two varieties: Coarse and Fine. They offer artists a range of reflective properties and interplay with light.
Interference colors are relatively transparent, allowing artists the ability to glaze with unique effects. Enhance landscapes with Interference Blue or Interference Green. Add life to wildlife artwork with Interference Red or Interference Violet.
Combine Interference colors with small amounts of color to achieve unique color ranges. Add gels for impasto effects or thin with mediums for glazing applications. Add a very small amount of black to Interference colors to produce deeper, richer, opalescent effects.
GOLDEN Iridescent Acrylics are one of the most unique products available to artists today. They offer highly reflective metallic variations when mixed with GOLDEN colors. The GOLDEN Iridescent colors achieve their reflective properties by synthetically reproducing several natural phenomena - the nacreous, or pearlescent, qualities found in fish scales or the dust of a butterfly's wing, and the shiny and reflective qualities found in certain metals and minerals.
"Coarse" Iridescent colors are simply larger particle size versions of our "Fine" Iridescent products. Coarse colors in the Iridescent line include Copper, Copper Light, Gold and Pearl.
All of GOLDEN's Iridescent colors produce a luster quality by themselves, or when mixed with other colors and mediums. The GOLDEN line of Iridescents can be separated into 3 groups based on chemical composition.
Group I: These colors are derived from mica platelets. They are then coated with an extremely thin layer of titanium dioxide. Refraction and reflection of light at the titanium dioxide layers produces various colors and pearlescent effects. Group 1 pigments include Iridescent Pearl (Coarse and Fine).
Group II: These colors are also derived from mica platelets, but an iron oxide coating causes Group II pigments to possess hues in addition to pearlescent qualities. This group includes Iridescent Gold (Coarse and Fine), Iridescent Copper and Copper Light (Coarse and Fine), and Iridescent Bronze.
Group III: A third group consists of reflective colorants that do not fit the above descriptions, including highly metallic pigments. This group includes Stainless Steel (Coarse and Fine), Micaceous Iron Oxide, and Mica Flakes (all varieties).
GOLDEN Historical Colors are authentic recreations of paint colors that have been in use for hundreds of years and were considered essential to the working palettes of past masters. As the pigments originally used to produce these colors were found to be unsafe or vulnerable to the effects of light and weather, they had not been offered in a GOLDEN line of pure pigment colors. Recognizing the popularity of these colors within some palettes, GOLDEN has recreated these in a safe, reliable form, meeting the conservation requirements of fine artists. Great pains were taken to ensure the GOLDEN Historical Colors shared the working properties of their predecessors. The result? Contemporary artists can now explore the profoundly distinct qualities of historically significant colors while enjoying the advantages brought about by modern chemistry: lightfastness, safe use and permanence.
GOLDEN Neutral Grays are Heavy Body Acrylics designed according to the Munsell Color System. The Munsell System divides the color wheel into a three-dimensional color-space, shaped like a distorted "egg," in which all colors are separated by their Chroma, Value and Hue. The GOLDEN Neutral Grays are made following this system, using a spectrophotometer to ensure they have graduated steps within a very tight tolerance range. They are Achromatic, meaning that they have no distinguishable hue or chroma, only value. On the Munsell "egg," a Neutral Gray falls directly in the center, with whites on top and blacks toward the bottom.White and black represent the two value extremes. Mixing them together will produce a gray; whether or not it is a Neutral Gray depends on the pigments used. In most cases, a true neutral will not be produced; it will likely shift towards one direction of hue and/or chroma (i.e. warmer or cooler). GOLDEN Neutral Grays have been adjusted to stay absolutely neutral. Painting with the Neutral Grays, Bone Black and Titanium White, you create a study without chroma or hue. Use with any one color to produce a monochromatic study. Several colors mixed with the same Neutral Gray and in the same ratio will produce colors with similar value (depending on the colors' own current values).